Andy Warhol’s screen 16mm tests are now on at MOMA.
Warhol understood our need to stare, reflecting what tabloid newspapers have always been doing – only as Warhol under-hyped, the tabloids by default over-hype.
from Edie Sedgwick’s film test
Turning a ‘cool’ eye to the zeitgeist mood, Warhol caught the details of his (New York) times. He dealt with celebrity and near-celebrity uncritically, his own included. His instinct for finding meaning in what many thought was meaningless is as sharp now as it was then. Warhol invited us to evaluate and re-evaluate the banality of everything. His Diaries (1976-1986) are filled with commonplace responses to his celebrity-laden life, written as if his existence and the objects of his attention were banal – they were and weren’t. This is his entry for 30 years ago today.
Saturday, December 20, 1980
Vincent was having a party so cabbed there ($5). It turned out to be a really great party. I was taking pictures of this handsome kid I thought was a model and then I was embarrassed because it turned out to be John-John Kennedy. Fred brought him and Mary Richardson. And Chris Makos was there taking party pictures. And Debbie Harry gave me a present, and she said to open it up and I said no, that I’d wait till I got home, and I’m glad I did, because I just don’t know what it is. It’s this black thing. I wonder if it’s a cock ring, because it’s rubber with a stick on it, but it has this one piece that doesn’t make sense.
Monique’s getting ready to push her book, and she wants the cover of Interview, which actually might be fun.
Sunday, December 21, 1980
Jed’s decided to move out and I don’t want to talk about it. The apartment he bought on West 67th Street to work in, now he’s decided he’ll live in it, too.
Went to Church. Worked in the freezing cold at the office and I’m not going to send in the rent.