Saving a Cormorant

They are smart. They can count up to seven.

Went swimming today and saved a bird caught in a net.

Fishing nets are not just traps for fish, especially those close to shore. These nets are not big, about thirty metres in diameter. They are dangerous. An off-the-rocks rod-fisherman recounted to me once how a swimmer drowned getting caught in a net like these.

Down for my morning swim, starting as usual from some rocks, a groyne, a small set of boulders off Cannes, where I usually head off from, looking out I saw fishermen had placed one of those nets.

Something was flapping, birds circling above. I thought: they are waiting for the flapping thing to die. When it flapped again, a wing went vertical. I saw it was a small bird, my first impression at first glance, its head seeming to be down in the sea. When it managed to bring its head up, I knew it was very badly stuck.

I swam out to get a closer look, being careful not to get too close to the transparent closely-woven plastic netting. I saw the bird was not small. It was a Cormorant, and it started flapping more the closer I got. When I swim, I go across towards another set of rocks and come back and that’s me done for the day. And usually I stay well away from nets. Today though I couldn’t just leave this bird in this state.

It was completely entangled from its beak all the way down. Treading water I began trying to disentangle it. With the Med colder in late winter temperature coming spring it would not be long before I got really cold doing this, which could lead me to do something silly, like get myself pecked by the bird. I felt sure given the chance it might use its powerful beak on me.

I needed to organise this. I swam to shore where a cafe-bar sat on the sands. I asked if I could borrow some scissors. The guy immediately went and got a pair. Swimming out again I saw another swimmer was in the bay so I enlisted his help and we swam together to help the stricken bird. First up, I got my toes caught up and then the scissors entangled. So it wasn’t a great start.

The other guy used the scissors better than me, so while I held the lines, eventually we freed the bird from the overall net. But the Cormorant was still not free from all the netting. It was well and truly entangled. So we swam it towards shore disentangling as we swam and avoiding beak attacks.

On to the beach, I held the bird up. He cut more. Two women approached and showing more understanding than either of us could muster, they got control of the bird by first gently grabbing its neck. The other woman held onto its body. I thought to myself: women are more practical.

We got the netting off and the bird flew into the sea without a backward glance. I gave back the scissors and went on swimming.

I didn’t last long. I was really cold by now. I cut it all short. I didn’t want to get cramped up. It made me realise that if you were unlucky enough to be trapped out in the sea for some reason getting cold, couldn’t keep moving, you would soon get hypothermia.

This is an all’s well that ended well story. I’m glad I didn’t swim on by. I have seen Cormorants from the rocks swimming at breakneck speed underwater chasing fish coming up to stare warily at me, the human. I hope if and when this one comes back one day it’ll nod in recognition of the moment we shared.

Oh dear, oh dear

This old block of apartments was once one of the few examples of an older more interesting building along Cannes’s waterfront. There seems little virtue in destroying interesting architecture, especially with original wrought-iron balcony railings, high ceilings, old shutters. But now it’s gone – while Antibes has kept its past.

Except for the Carlton, what historic buildings are left on Cannes’s waterfront? Why not remodel a site like this?

Well they have.

The developer’s sign says the new offering will provide a private treated heated pool for two penthouse apartments – just a hop, step and tiny jump away from the Mediterranean.

Cannes

Camera
Lights

Camera
Positions please

Camera
Roll cameras

Camera
Cue background artists

Camera
Mark it

Camera
Action..No, no. Not everyone going everywhere

Camera
What’s my ex-wife’s lawyer doing in the shot?

Camera
And the spy in the hat..cut. CUT.

Camera
I know, I know..what can I do..There’s six thousand of you.

Camera
First positions again please, as quickly as you can

Camera
OK…What I want is like…a crowd ..being…like…a real crowd

Experiment, what experiment?

..handheld shaky cam, found footage, ultra-violence, meta-storylines, etc., all becoming part of the broad pop cultural landscape and assimilated into the commercial marketplace. This translates across all cultural lines – music, art, technology, etc. as the outsiders and untouchables of yesteryear are today’s TV spokesmen and tastemakers..

…experimental film seems to represent more fully the true potential and magic of cinema

…for brief moments in history, think the ‘beats’, the real ground-shakers, the true risk-takers, manage to do something that is life and culture affecting, their minds drafting the future…

The Blue Roads of Cannes

Away from the homages, special screenings, classic films, away from the red carpet ride to that palace of dreams, away from the Cinema Paradiso deep in the watery hearts of those days of ‘how it used to be before they built the new Palais.’ Away from the game before it became the game it is “guarded by thin-lipped security experts..” (Roger Ebert).

Away from: This is a business after all, bringing in hundreds of millions (billions) annually. Away from the other Cannes down in the concrete heated bowels of an airless bunker where the sharp weave themselves into tongued-tied hoarse and whispery tanglings over business fits and contracts and suits.

Away from the silver screen stars of present and past, Charles Bronson and Miss Piggy, Arnold, Bruce, Brad, Brigitte, Mel, Kirk, Michael, Woody or Penelope, away from the belle epoque hotel suites and facades, away from yachts as big as small apartment blocks stock stilled by the importance of those they house out in the wide bay, away from those gleaming bright decks, practiced sunglasses, strategic smiles, away from trained binocularists, the annual crush and cheap ticket ride along the promenading, skateboard Croisette, away from the blinding baroque plaster, the guest only dinners, friend-of-a-friend-who-knows-a-friend ticket-only beach parties, away from the clickety-click crush of pass-only photo shoots, prized seats under the balcony, away from ‘go easy I’m-not-wearing-makeup’, away from  the bright-new-glory of my-new-found-fame, those bullish, brave, belligerent and bereft smiles, away from the silent jeering, away from the exclusion zones out in the streets.

Away from get away from who-are-you-and-who-do-you-know big films and titles, away from that winnowy fame and limouey celebrity, over in the back blue road of Mediterraneanised cinema, over in – I only hole up in the dark to witness creative endeavour – over in this other plane and train load of tourist-class, over in the world you mostly will never hear talk long enough to remember how to forget, over in the altogether smaller world of Un Certain Regard, with a jury presided over by Tim Roth.

Among the yet no-so unfamous such as Benicio DEL TORO, Pablo TRAPERO, Julio MEDEM,  Elia SULEIMAN, Juan Carlos TABIO, Gaspard NOÉ et Laurent CANTET with 7 DIAS EN LA HABANA @ 2h and 5m,  four first-filmers, Brandon Cronenberg (yes, that Cronenberg) with ANTIVIRAL @ 1h and 50m, Ashim AHLUWALIA with MISS LOVELY  @ 1hr 50m, and Juan Andrés Arango with LA PLAYA @ 1h and 30m.

Roth’s own brit pack ever-repressed to boiling anger ride through names and changes in life and cinema from Dulwich to Los Angeles via works by Mike Leigh, Stephen Frears, Peter Greenaway, Robert Altman, Quentin Tarantino, Nic Roeg, John Sayles, Wim Wenders, Tim Burton, Woody Allen, Werner Herzog and Francis Ford Coppola seems to offer interesting, experimental possibilities as what might emerge as the final choice.


	

Cannes Film Festival

– The Big Time

You’re in the south of France.

BILD1328

BILD1322

You arrive on the TGV, in a bit of a blur…

BILD1282

Right, where’s your place then. Christ, you hope you haven’t been conned. You walk out of the station, get lost in two minutes. How do you get lost in Cannes when you’ve been there ten times. You just do. But up the hill you go, eventually, get there, find the place…believe you me, well away from the hoy palloy.

BILD1140

Not bad, you think, for something off the Internet, okay, away from the action, on the other side of the train line, but it has a beautiful garden…

BILD1187

A bit Graham Greenish, even. But you are here to work, not to sit in a garden deck chair, sip pink gins, complain about being an Anglophone abroad all day long. You are here to take photos. You get started right away..

BILD1213

Get the writing tools set up…BILD1177

Right then, down to the Croisette..

BILD1266

To do what? Gawk at the stars…

BILD1218

Where are the stars anyway? Up on bill boards or hiding in hotels. Maybe the key is to be a star yourself…get yourself somehow onto one of these bill boards even…but how do you do that?

BILD1229

You could simulate the process..

BILD1232

Or take a leaf out of the books of others, mix in with the media..

BILD1244

Wait, maybe you don’t look the part. Do  you need a special pair of shoes, a hat even?

BILD1280

At these prices, forget it. But you know how to climb all over the competition, get head and shoulders above the crowd.

BILD1251

But what are you looking for anyway, or at, what do you hope to see?

BILD1305

Is cinema just another empty business?

BILD1246

Or is that all just a bit too serious.

What to do? You could dress up, give someone a laugh, at least..

BILD1307

BILD1309

Or get drunk…

BILD1127

…or find yourself an empty chair.

BILD1302

Stare at the scenery..

BILD1310

BILD1311

…yr mind all out to sea.

BILD1312

BILD1297

This site’s content is copyright. All Rights reserved.