Plage de la Garoupe

In Antibes after the heavy rains and walked out to the beach where Picasso, Hemingway and the Fitzgeralds swam.

With debris on the sands, and the clear air and snow on the alps over the water, it was cold and wonderful. No one else went out. Nothing like winter waters and history all to yourself.

Saving a Cormorant

They are smart. They can count up to seven.

Went swimming today and saved a bird caught in a net.

Fishing nets are not just traps for fish, especially those close to shore. These nets are not big, about thirty metres in diameter. They are dangerous. An off-the-rocks rod-fisherman recounted to me once how a swimmer drowned getting caught in a net like these.

Down for my morning swim, starting as usual from some rocks, a groyne, a small set of boulders off Cannes, where I usually head off from, looking out I saw fishermen had placed one of those nets.

Something was flapping, birds circling above. I thought: they are waiting for the flapping thing to die. When it flapped again, a wing went vertical. I saw it was a small bird, my first impression at first glance, its head seeming to be down in the sea. When it managed to bring its head up, I knew it was very badly stuck.

I swam out to get a closer look, being careful not to get too close to the transparent closely-woven plastic netting. I saw the bird was not small. It was a Cormorant, and it started flapping more the closer I got. When I swim, I go across towards another set of rocks and come back and that’s me done for the day. And usually I stay well away from nets. Today though I couldn’t just leave this bird in this state.

It was completely entangled from its beak all the way down. Treading water I began trying to disentangle it. With the Med colder in late winter temperature coming spring it would not be long before I got really cold doing this, which could lead me to do something silly, like get myself pecked by the bird. I felt sure given the chance it might use its powerful beak on me.

I needed to organise this. I swam to shore where a cafe-bar sat on the sands. I asked if I could borrow some scissors. The guy immediately went and got a pair. Swimming out again I saw another swimmer was in the bay so I enlisted his help and we swam together to help the stricken bird. First up, I got my toes caught up and then the scissors entangled. So it wasn’t a great start.

The other guy used the scissors better than me, so while I held the lines, eventually we freed the bird from the overall net. But the Cormorant was still not free from all the netting. It was well and truly entangled. So we swam it towards shore disentangling as we swam and avoiding beak attacks.

On to the beach, I held the bird up. He cut more. Two women approached and showing more understanding than either of us could muster, they got control of the bird by first gently grabbing its neck. The other woman held onto its body. I thought to myself: women are more practical.

We got the netting off and the bird flew into the sea without a backward glance. I gave back the scissors and went on swimming.

I didn’t last long. I was really cold by now. I cut it all short. I didn’t want to get cramped up. It made me realise that if you were unlucky enough to be trapped out in the sea for some reason getting cold, couldn’t keep moving, you would soon get hypothermia.

This is an all’s well that ended well story. I’m glad I didn’t swim on by. I have seen Cormorants from the rocks swimming at breakneck speed underwater chasing fish coming up to stare warily at me, the human. I hope if and when this one comes back one day it’ll nod in recognition of the moment we shared.

OUT OF COMPETITION (JEF Books 2024)

Kenneth Patchen Award for the innovative novel

‘Laugh out loud funny’

Carla M. Wilson

5 OUT OF 5 STARS

Intelligent, provocative and fun

Cherry Jam UK, October 16, 2024 Review

Humorously subversive. It goes so fast I read it in two days. A must for anyone with a love of cinema and its festivals. And the most irreverent novel written about the South of France

5 OUT OF 5 STARS

Ten Years is Enough!

Read-fest UK, 9 September 2025

A sharp satire about democracy set in a Riviera Film Festival facing collapse as young cineastes demonstrate against privilege and lack of transparency in the annual voting shakedown, the novel opening with the kidnap off the streets of a desperate bankrupt Hollywood producer cadging money wherever he can

Out of Competition Ingram distributing, found at:

JEF Books

https://www.experimentalfiction.com/products/out-of-competition

Bookshop.org, bricks & mortar bookstores and online booksellers

Oh dear, oh dear

This old block of apartments was once one of the few examples of an older more interesting building along Cannes’s waterfront. There seems little virtue in destroying interesting architecture, especially with original wrought-iron balcony railings, high ceilings, old shutters. But now it’s gone – while Antibes has kept its past.

Except for the Carlton, what historic buildings are left on Cannes’s waterfront? Why not remodel a site like this?

Well they have.

The developer’s sign says the new offering will provide a private treated heated pool for two penthouse apartments – just a hop, step and tiny jump away from the Mediterranean.

73 Films

Oliver Stone’s film Alexander shows the power of war as a means to extend power. With JFK, Stone followed and unravelled at least part of the story of how Jack Kennedy – who began a process of rolling back war as the means for the extending and using power exporting America’s cultural power peacefully – was brutally cut down in his prime.

JFK

Alexander

71 Films

Years ago I saw and argued in print with a Hong Kong reviewer, who disparaged the film. And now I see how right I was to defend it!

Great performance by Al Pacino, in a deft screenplay, whose power is masked by a film which seems to be presenting itself more as entertainment than biting satire.

Film list of 63 of the best for me

These films are not the best perhaps, or even the best 63 films I have seen, though they would be very close to that.

I simply laid them down without prior thought of ordering or listing them in any kind or categorisation of this or that.

The only change was to add Gosford Park by Robert Altman, and to do that I dropped Mira Nair’s Salaam Bombay! which should not be left out, but I kept Monsoon Wedding which I adored when I first saw it and still do.

So the filmmakers and films are all great and in no way am I listing them in order of best – first to worst. There are no second-best or best here. They are simply all magnificent for all their own reasons and appeared as I remembered them and wrote them down.

Tell me what you think – offer suggestions – i.e. if you wish to.

One Flew Over the Cuckoo’s NestMilos Forman
Butch Cassidy and the Sundance KidGeorge Roy Hill
The Last Picture ShowPeter Bogdanovich
Apocalypse NowFrancis Ford Coppola
Rear WindowAlfred Hitchcock
King of ComedyMartin Scorsese
Raging BullMartin Scorsese
The Good the Bad and the UglySergio Leone
Little Miss SunshineValerie Faris, Jonathan Dayton
Pulp FictionQuentin Tarantino
Reservoir DogsQuentin Tarantino
CasablancaMichael Curtiz
Dog Day AfternoonSydney Lumet
The GodfatherFrancis Ford Coppola
UnforgivenClint Eastwood
2001 A Space OdysseyStanley Kubrick
AmadeusMilos Forman
Blade RunnerRidley Scott
The ThingJohn Carpenter
Ace in the HoleBilly Wilder
The VerdictSydney Lumet
NetworkSydney Lumet
SidewaysAlexander Payne
The French ConnectionWilliam Friedkin
The Godfather IIFrancis Ford Coppola
A Clockwork OrangeStanley Kubrick
Paths of GloryStanley Kubrick
Lawrence of ArabiaDavid Lean
Easy RiderDennis Hopper
ChinatownRoman Polanski
8 1/2Federico Fellini
La Dolce VitaFederico Fellini
The ConversationFrancis Ford Coppola
Out of AfricaSydney Pollack
Annie HallWoody Allen
Hannah and Her SistersWoody Allen
Deconstructing HarryWoody Allen
Broadway Danny RoseWoody Allen
AmarcordFederico Fellini
Day for Night (La Nuit américaine)Francois Truffaut
La règle du jeuJean Renoir
Crimes and MisdemeanoursWoody Allen
The French Connection IIWilliam Friedkin
Thelma and LouiseRidley Scott
GandhiRichard Attenborough
American GraffitiGeorge Lucas
Atlantic CityLouis Malle
Das BootWolfgang Petersen
Monsoon WeddingMira Nair
Gosford ParkRobert Altman
WitnessPeter Weir
PersonaIngmar Bergman
Wild StrawberriesIngmar Bergman
Cries and WhispersIngmar Bergman
Autumn SonataIngmar Bergman
The Truman ShowPeter Weir
Fanny and AlexanderIngmar Bergman
War and PeaceSergei Bondarchuk
YojimboAkira Kurosawa
RashomonAkira Kurosawa
Paris Texas‎Wim Wenders
Schindler’s ListSteven Spielberg
JawsSteven Spielberg

A Rainy Day in New York

From the moment in Annie Hall when he led Marshall McLuhan out from behind a film hoarding in a New York cinema I have been a huge fan of Woody Allen. He is America’s best writer director of ensemble urban comedies – truly a unique filmmaker.

Exposure by Robert Bilott (film: Dark Waters, below)

Robert Bilott’s ‘self-documenting’ book, Exposure, on Du Pont’s chemical pollution in Parkersburg, West Virginia, is a sobering study of the immorality of corporate America in recent times.

This searing book shows how greed drives so much economic activity in America. Robert Bilott’s story was first revealed to me when I recently saw the film Dark Waters – a Todd Hayes (directed) and Mark Ruffalo (produced and acted) film, well worthy of several nominations in this year Hollywood awards round. It received none. I think we get the picture why.

Bilott tells us the whole story. It begins his ‘unusual’ jumping the fence from his law firm’s usual corporate defence work to take on a plaintiff’s case, for a West Virginia farmer, Earl Tennant, who showed up at his office with a mountain of supporting evidence.

Rob Bilott discovers how Du Pont had been for years dumping poisonous waste from its Washington Works plant at Parkersburg, West Virginia, into landfills which leached into rivers, streams, ponds, killing cattle and compromising the health of inhabitants in a wide area. 

This story of corporate harm shows the casual, arrogant and ugly ease with which a powerful corporation can engage in immoral practices, in the name of business as usual. Initially rebuffed by Du Pont, Bilott convinced the courts to order the company to agree to settle, following an independent scientific investigation into the harm done by a chemical PFOA, used for many products, famously in Teflon, gathering huge worldwide profit source and spinner for Du Pont. 

It takes years for results from an exhaustive scientific study of the blood samples of nearly 70,000 people in the immediate and surrounding areas, to come back with findings of clear probable cause links to several major life threatening and life-altering diseases and conditions. Du Pont ruined natural water and piped-water supplies meaning that many were already suffering, some dying, from directly associated diseases and conditions. 

A jury finally finds for a class civil action against the company – who put up a fierce and at times devious public relations & legal defence – the plaintiffs awarded a 670 million dollar settlement against a corporate giant. Du Pont appealed and appealed then in the face of the unshifting evidence folded and accepted the decision. 

This ‘environmental crime’ was aided and abetted by the EPA who worked in tandem with Du Pont to obfuscate key facts of a chemical dumping program from the public, Du Pont carrying on its harmful activities for years in plain sight, abusing the basic trust its economic stranglehold had over the small trusting community. Being the town’s main employer Du Pont had the town cold, knowing all along PFOA was an extremely dangerous substance for all life forms. 

In summary, this is a fine book and a necessary read for people who want clean land, air and water, people who a reasonable chance of living their live without corporations callously poisoning them, providing them with cancer. This book is for anyone who believes that accountability over corporate activities is sorely needed, so are lawyers who hold to decent norms, working in a soundly and honourably (democratically) governed society in the 21st century. 

Without Earl Tennant bringing this to Robert Bilott’s attention and Bilott deciding to take the career risk of bringing a civil action on behalf of Earl and many others, facing with the victims so many stress-filled years, we may never have even heard about Du Pont’s malfeasance.

Note: In a run up to the class-action trial, Du Pont spun off its Washington Works plant into a new company, Chemours, a spin-off technique many companies use to limit financial damage, placing the offending product range under another firm, a firm that can easily be tipped in bankruptcy thus preventing a payout. After years of seeing how Du Pont operated Robert Bilott was ready for the tactic.