
Out of Competition and Democracy
Grifters, sharks, wannabes, liars, creativors cruise the seaside Promenade as an enfranchising of an entire festival grows out of protest, taking voting from annual juries and giving it to the fans, without whom the festival would not be.
When I was writing this the second invasion of Ukraine hadn’t happened. When I was in the the final draft oligarchs lived only in Russia. Now they’re hard at gaming America. When I was in the final draft, political sycophancy was in its infancy now it’s fully grown.
When I was in the final draft there was still an operational Democratic Party, now a couple State governors are performing CPR on its seemingly lifeless body. When I began writing this most of America believed in habeas corpus, personal and civil rights, accountability and independence of the judiciary.
When I was writing this novel it wasn’t clear how much damage the right wing of the Supreme Court could inflict on America.
Is American democracy at death’s door …..
The No Kings Protest, and then what happens..
Do we want to see Democracy die in America?
My current novel’s main theme was always Democracy from the earliest days I began to write it, but several years ago, deep in the writing I didn’t foresee how important Democracy would become in this era.
I decided early, writing ‘Out of Competition’ set in a film festival, that it would be comic because while I believed all processes of democracy could be better promoted everywhere I never foresaw democracy facing a serious existential threat.
Democracy has always been a major part of my life. My father was in the second world war so democracy always figured in my consciousness, and while I have never experienced totalitarianism I understood it wasn’t the way of the west, or a real threat, until now.
I never thought not even after the murder of John F. Kennedy that a U.S. president, however he got into power would try to destroy democracy in order to cling to power.
Democracy has never been perfect. It’s been manipulated, not just in the United States but its demise in the US, UK, France, Canada, Australia, or any western European nation is unthinkable. Democracy remains fundamental, especially in America.
The world is watching. Everything American was once received well. Cultural power is real. John F. Kennedy understood this.
These times need courage, unity, political skill.
Let’s stop and think
We live in a digital, post-automated mechanical world, when once many centuries ago books were written and bound by hand.
Then with some ingenious reworking by Gutenberg and others in reimagining winepress and jewellery making techniques and technologies, metal type was created and off we went to the mass-printing races. So we thought. Because it only took a few centuries to really perfect the “mass” part of it all.


It makes me treasure the hardcover more, because it is the closest we still have to the wholly hand made book. Don’t get me wrong, I too saw a lot in the 1990s advent of the digital book, for its democratisation of information potentialities, which somehow could have brought to light many texts that publishers couldn’t be bothered thinking about re-printing. Only it didn’t happen for reasons we know. Free and fair and open competition is simply a myth, with publishers even sighing and throwing withering side glances at the “damnable” used book market.
Who am I – who I am
I am a writer, novelist, living and writing on the south coast of France, where I swim and continue renovating my apartment.
I am very close to finishing a novel set in 1963. My recently published novel Out of Competition, published by JEF Books, Illinois, October 1, 2024 won the Kenneth Patchen Award for the Innovative Novel.
Uncorrected Proof and Out of Competition can be found at bookshop.org.
OUT OF COMPETITION (JEF Books 2024)
Kenneth Patchen Award for the innovative novel
‘Laugh out loud funny’
5 OUT OF 5 STARS
Intelligent, provocative and fun
Cherry Jam UK, October 16, 2024 Review
Humorously subversive. It goes so fast I read it in two days. A must for anyone with a love of cinema and its festivals. And the most irreverent novel written about the South of France
5 OUT OF 5 STARS
Ten Years is Enough!
Read-fest UK, 9 September 2025
A sharp satire about democracy set in a Riviera Film Festival facing collapse as young cineastes demonstrate against privilege and lack of transparency in the annual voting shakedown, the novel opening with the kidnap off the streets of a desperate bankrupt Hollywood producer cadging money wherever he can
Out of Competition Ingram distributing, found at:
https://www.experimentalfiction.com/products/out-of-competition
Bookshop.org, bricks & mortar bookstores and online booksellers
‘All The President’s Men’ dialog resonating in 2025
‘The Great Dictator’ resonating in 2025
“Let us fight to free the world to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all people’s happiness.”
Film list of 63 of the best for me
These films are not the best perhaps, or even the best 63 films I have seen, though they would be very close to that.
I simply laid them down without prior thought of ordering or listing them in any kind or categorisation of this or that.
The only change was to add Gosford Park by Robert Altman, and to do that I dropped Mira Nair’s Salaam Bombay! which should not be left out, but I kept Monsoon Wedding which I adored when I first saw it and still do.
So the filmmakers and films are all great and in no way am I listing them in order of best – first to worst. There are no second-best or best here. They are simply all magnificent for all their own reasons and appeared as I remembered them and wrote them down.
Tell me what you think – offer suggestions – i.e. if you wish to.
| One Flew Over the Cuckoo’s Nest | Milos Forman |
| Butch Cassidy and the Sundance Kid | George Roy Hill |
| The Last Picture Show | Peter Bogdanovich |
| Apocalypse Now | Francis Ford Coppola |
| Rear Window | Alfred Hitchcock |
| King of Comedy | Martin Scorsese |
| Raging Bull | Martin Scorsese |
| The Good the Bad and the Ugly | Sergio Leone |
| Little Miss Sunshine | Valerie Faris, Jonathan Dayton |
| Pulp Fiction | Quentin Tarantino |
| Reservoir Dogs | Quentin Tarantino |
| Casablanca | Michael Curtiz |
| Dog Day Afternoon | Sydney Lumet |
| The Godfather | Francis Ford Coppola |
| Unforgiven | Clint Eastwood |
| 2001 A Space Odyssey | Stanley Kubrick |
| Amadeus | Milos Forman |
| Blade Runner | Ridley Scott |
| The Thing | John Carpenter |
| Ace in the Hole | Billy Wilder |
| The Verdict | Sydney Lumet |
| Network | Sydney Lumet |
| Sideways | Alexander Payne |
| The French Connection | William Friedkin |
| The Godfather II | Francis Ford Coppola |
| A Clockwork Orange | Stanley Kubrick |
| Paths of Glory | Stanley Kubrick |
| Lawrence of Arabia | David Lean |
| Easy Rider | Dennis Hopper |
| Chinatown | Roman Polanski |
| 8 1/2 | Federico Fellini |
| La Dolce Vita | Federico Fellini |
| The Conversation | Francis Ford Coppola |
| Out of Africa | Sydney Pollack |
| Annie Hall | Woody Allen |
| Hannah and Her Sisters | Woody Allen |
| Deconstructing Harry | Woody Allen |
| Broadway Danny Rose | Woody Allen |
| Amarcord | Federico Fellini |
| Day for Night (La Nuit américaine) | Francois Truffaut |
| La règle du jeu | Jean Renoir |
| Crimes and Misdemeanours | Woody Allen |
| The French Connection II | William Friedkin |
| Thelma and Louise | Ridley Scott |
| Gandhi | Richard Attenborough |
| American Graffiti | George Lucas |
| Atlantic City | Louis Malle |
| Das Boot | Wolfgang Petersen |
| Monsoon Wedding | Mira Nair |
| Gosford Park | Robert Altman |
| Witness | Peter Weir |
| Persona | Ingmar Bergman |
| Wild Strawberries | Ingmar Bergman |
| Cries and Whispers | Ingmar Bergman |
| Autumn Sonata | Ingmar Bergman |
| The Truman Show | Peter Weir |
| Fanny and Alexander | Ingmar Bergman |
| War and Peace | Sergei Bondarchuk |
| Yojimbo | Akira Kurosawa |
| Rashomon | Akira Kurosawa |
| Paris Texas | Wim Wenders |
| Schindler’s List | Steven Spielberg |
| Jaws | Steven Spielberg |
Exposure by Robert Bilott (film: Dark Waters, below)

Robert Bilott’s ‘self-documenting’ book, Exposure, on Du Pont’s chemical pollution in Parkersburg, West Virginia, is a sobering study of the immorality of corporate America in recent times.
This searing book shows how greed drives so much economic activity in America. Robert Bilott’s story was first revealed to me when I recently saw the film Dark Waters – a Todd Hayes (directed) and Mark Ruffalo (produced and acted) film, well worthy of several nominations in this year Hollywood awards round. It received none. I think we get the picture why.
Bilott tells us the whole story. It begins his ‘unusual’ jumping the fence from his law firm’s usual corporate defence work to take on a plaintiff’s case, for a West Virginia farmer, Earl Tennant, who showed up at his office with a mountain of supporting evidence.
Rob Bilott discovers how Du Pont had been for years dumping poisonous waste from its Washington Works plant at Parkersburg, West Virginia, into landfills which leached into rivers, streams, ponds, killing cattle and compromising the health of inhabitants in a wide area.
This story of corporate harm shows the casual, arrogant and ugly ease with which a powerful corporation can engage in immoral practices, in the name of business as usual. Initially rebuffed by Du Pont, Bilott convinced the courts to order the company to agree to settle, following an independent scientific investigation into the harm done by a chemical PFOA, used for many products, famously in Teflon, gathering huge worldwide profit source and spinner for Du Pont.
It takes years for results from an exhaustive scientific study of the blood samples of nearly 70,000 people in the immediate and surrounding areas, to come back with findings of clear probable cause links to several major life threatening and life-altering diseases and conditions. Du Pont ruined natural water and piped-water supplies meaning that many were already suffering, some dying, from directly associated diseases and conditions.
A jury finally finds for a class civil action against the company – who put up a fierce and at times devious public relations & legal defence – the plaintiffs awarded a 670 million dollar settlement against a corporate giant. Du Pont appealed and appealed then in the face of the unshifting evidence folded and accepted the decision.
This ‘environmental crime’ was aided and abetted by the EPA who worked in tandem with Du Pont to obfuscate key facts of a chemical dumping program from the public, Du Pont carrying on its harmful activities for years in plain sight, abusing the basic trust its economic stranglehold had over the small trusting community. Being the town’s main employer Du Pont had the town cold, knowing all along PFOA was an extremely dangerous substance for all life forms.
In summary, this is a fine book and a necessary read for people who want clean land, air and water, people who a reasonable chance of living their live without corporations callously poisoning them, providing them with cancer. This book is for anyone who believes that accountability over corporate activities is sorely needed, so are lawyers who hold to decent norms, working in a soundly and honourably (democratically) governed society in the 21st century.
Without Earl Tennant bringing this to Robert Bilott’s attention and Bilott deciding to take the career risk of bringing a civil action on behalf of Earl and many others, facing with the victims so many stress-filled years, we may never have even heard about Du Pont’s malfeasance.
Note: In a run up to the class-action trial, Du Pont spun off its Washington Works plant into a new company, Chemours, a spin-off technique many companies use to limit financial damage, placing the offending product range under another firm, a firm that can easily be tipped in bankruptcy thus preventing a payout. After years of seeing how Du Pont operated Robert Bilott was ready for the tactic.




