Exposure by Robert Bilott

Robert Bilott’s ‘auto-documentary’ book, Exposure, on Du Pont’s chemical pollution in Parkersburg, West Virginia, is a sobering look at the immorality of corporate America in recent times.

This searing study of how greed drives so much economic activity in America, Robert Bilott’s story was first revealed to me when I recently saw the film Dark Waters – a Todd Hayes (directed) and Mark Ruffalo (produced and acted) film, well worthy of several nominations in this year Hollywood awards round. It received none. I think we get the picture why.

Bilott tells us the whole story. It begins his ‘unusual’ jumping the fence from his law firm’s usual corporate defence work to take on a plaintiff’s case, for a West Virginia farmer, Earl Tennant, who showed up at his office with a mountain of supporting evidence.

Rob Bilott discovers how Du Pont had been for years dumping poisonous waste from its Washington Works plant at Parkersburg, West Virginia, into landfills which leached into rivers, streams, ponds, killing cattle and compromising the health of inhabitants in a wide area. 

This story of corporate harm shows the casual, arrogant and ugly ease with which a powerful corporation can engage in immoral practices, in the name of business as usual. Initially rebuffed by Du Pont, Bilott convinced the courts to order the company to agree to settle, following an independent scientific investigation into the harm done by a chemical PFOA, used for many products, famously in Teflon, gathering huge worldwide profit source and spinner for Du Pont. 

It takes years for results from an exhaustive scientific study of the blood samples of nearly 70,000 people in the immediate and surrounding areas, to come back with findings of clear probable cause links to several major life threatening and life-altering diseases and conditions. Du Pont ruined natural water and piped-water supplies meaning that many were already suffering, some dying, from directly associated diseases and conditions. 

A jury finally finds for a class civil action against the company – who put up a fierce and at times devious public relations & legal defence – the plaintiffs awarded a 670 million dollar settlement against a corporate giant. Du Pont appealed and appealed then in the face of the unshifting evidence folded and accepted the decision. 

This ‘environmental crime’ was aided and abetted by the EPA who worked in tandem with Du Pont to obfuscate key facts of a chemical dumping program from the public, Du Pont carrying on its harmful activities for years in plain sight, abusing the basic trust its economic stranglehold over the small trusting community. As the town’s main employer, Du Pont had the cold, while knowing PFOA was an extremely dangerous substance for all life forms. 

In summary, this is a fine book and a necessary read for people who want clean land, air and water and a reasonable chance at living life without corporations poisoning them or providing them with cancer. Also it is for anyone who believes that honest and accountable corporate activities are needed in a properly managed legal environment, held to decnet norms created in a democratically governed society in the 21st century. 

Without Earl Tennant bringing this to Robert Bilott’s attention and Bilott deciding to take the career risk of bringing this civil action on behalf of Earl and many others, for so many stress-filled years of his life, we may never have even heard about Du Pont’s malfeasance.

In a run up to the class-action trial, Du Pont spun off its Washington Works plant into a new company, Chemours, in a technique many companies use to limit financial damage by placing the offending product range under another firm, that can easily be tipped in bankruptcy thus preventing a payout. After years of seeing how Du Pont operated Robert Bilott was ready for the tactic.

Exposure

Reading Robert Bilott’s ‘Exposure’ on Du Pont’s chemical pollution in Parkersburg, West Virginia, the book in giving a great deal of legal and personal background to the story in the film Dark Waters (see below), answered a question that came to me while seeing the film: why wasn’t Bilott removed from his Ohio corporate law firm particularly as corporate defence was its main bread and butter?

I wondered how Du Pont’s power didn’t trump Bilott’s personal and moral interest in the plight of one farmer, Wilbur Earl Tennant, by simply pulling strings to give the crusading lawyer an offer he couldn’t refuse. Get out of town boyo, now. They tried. More power to Rob for his courage and dedication, and to Earl of course who started the whole process.

Rob Bilott in jumping the fence to take the plaintiff’s side against Du Pont uncovers an ugly story of corporate harm done to the community of Parkersburg and surrounding populations. The casual and arrogant ease with which this immensely powerful and rich corporation lied and cheated and eventually killed people in the pursuit of profit is as stunning as it was breathtaking (pun intended).

Working in tandem with weak and complicit authorities to hide the facts of a chemical dumping program, Du Pont knowingly carried on its ‘corporate crime’ for years and years, poisoning water supplies, the air and earth, abusing the basic trust its economic stranglehold over the small community provided by economic default, placing a virtual muzzle on anyone who dared question its activities. And I am still only half way through…more later, COVID-19 lockdown giving me valuable reading time.

Australian Capsule Homes?

Is this the future face of home-building in Australia?

Do we build homes with exteriors and window glass that can resist up to two thousand degrees celsius? Homes with internal energy reserves, water and food storage recycling and creation systems.

While Australian Liberal National Party politicians decide whether or not to add the words “wind” and “solar” and “hydrogen” and “wave” to their vocabularies, decide whether to expand their comprehension of the word “energy” to include the current ‘impossible’ — the consignment of coal to the graveyard — the exterior of a house could be sealed against extreme weather patterns. All substances even wood can be used inside. Is this too radical for you? What do we do over the continuing fires?

If we could force the political climate change deniers to take early parliamentary retirement, then as a society join with each other in to turning global warming around we might still be in time to stop the human project’s slide to the bottom, stop the  immorality of condemning other life forms sharing this planet with us to an unnatural slide in to oblivion.

Renovation 6

Back in London after swimming the rental through the new rain road lakes of La Maremma, back in flood again, unusual for central Italy, and for the second time in a few weeks. Forced by flooded roads and countryside to take a giro di pepe via Latera through Valentano, then Canino to get back to the Aurelia I then turned the wrong way heading back to Grosetto before u-turning back to Rome.

After spending 6 am to 8.30 am in the pouring rain moving things back in to the place from where I was staying during the renovation I left the camera somewhere in all the moved stuff so only have a couple of photos to show of the progression.

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Happening during the “raccolta delle olive” outside in the big world..

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..I slipped away to slide into the Saturnia hot springs..

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Renovating in Italy

It’s now ten years that we have been in Pitigliano, renovating, holidaying and living. We chose Pitigliano, in the hills of La Maremma, southern Tuscany, for several reasons – the town itself; the hot springs of Saturnia; the wonderful beaches south of Argentario, and the countryside all around. Here are a few photos.

We took up the floors and found old tiles which was a wonderful find, but which now need work again because the ceiling of the magazzino (store room) below is deteriorating affecting the floor above. In truth this work was always going to be done, it was just a matter of when – when arrived in 2012.


I made my own stoneware tiles for the kitchen, following the idea of uncovered – ‘found old marble’.

We found the original painted wall and built it around designs incorporating terracotta wall lamps I made. Not everyone would do this or even like it for his or herself, but for us the architectural point of an old house like this, going back in parts to the 17th century – as it it is for local builders – is that you create and reconfigure old aspects and ‘finds’ into the overall look.

The fireplace was completely excavated, set back and made much larger, and we designed a heavy cast iron grill and had it made at a local foundry, so any fire on it would suck up the air and roar up the chimney.

A wood heater (la stufa), for keeping the house warm when a roaring wood fire would create too much heat.

The roof was redone.

Ceilings and a skylight done.

Shutters (le persiane) put up.

Slowly, modestly we are getting the house in shape.

Narratorial Unreliability

Christian Mihai discusses his ideas on unreliable narrators, something he likes to see writers use, and a technique he says he uses himself. Still, he misses a fundamental point – all narrators, storytellers, dramatists, poets, are unreliable. From Homer, Shakespeare to Sartre, no writer tells, gets close to ‘the truth’, even if he or she is prepared to die in the process of collecting all the observable details of a factually based fiction.

Catherine Lacey

Do we trust Tolstoy’s account of Napoleon in War and Peace? Perhaps… if we are Russian.

Narrator unreliability doesn’t have to be a first person account, though the most obvious modernist exploitations of narrator unreliability in fiction use that form. The best approach – for this writer at least – is when the writer sets out to deceive us, and by convincing us that he or she has told the truth, transfers any doubt on narratorial reliability to a reader’s interpretation of the tale.