|The Paper||Ron Howard|
|Delicatessen||Jean-Pierre Jeunet and Marc Caro|
“When they bleached your hair, they must have bleached your brain too.”
“Does it makes sense that a multi-million dollar income should go untaxed year after year?”
“The Committee’s not an independent operation. Everything is cleared with the White House.”
“Let us fight to free the world to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all people’s happiness.”
These films are not the best perhaps, or even the best 63 films I have seen, though they would be very close to that.
I simply laid them down without prior thought of ordering or listing them in any kind or categorisation of this or that.
The only change was to add Gosford Park by Robert Altman, and to do that I dropped Mira Nair’s Salaam Bombay! which should not be left out, but I kept Monsoon Wedding which I adored when I first saw it and still do.
So the filmmakers and films are all great and in no way am I listing them in order of best – first to worst. There are no second-best or best here. They are simply all magnificent for all their own reasons and appeared as I remembered them and wrote them down.
Tell me what you think – offer suggestions – i.e. if you wish to.
|One Flew Over the Cuckoo’s Nest||Milos Forman|
|Butch Cassidy and the Sundance Kid||George Roy Hill|
|The Last Picture Show||Peter Bogdanovich|
|Apocalypse Now||Francis Ford Coppola|
|Rear Window||Alfred Hitchcock|
|King of Comedy||Martin Scorsese|
|Raging Bull||Martin Scorsese|
|The Good the Bad and the Ugly||Sergio Leone|
|Little Miss Sunshine||Valerie Faris, Jonathan Dayton|
|Pulp Fiction||Quentin Tarantino|
|Reservoir Dogs||Quentin Tarantino|
|Dog Day Afternoon||Sydney Lumet|
|The Godfather||Francis Ford Coppola|
|2001 A Space Odyssey||Stanley Kubrick|
|Blade Runner||Ridley Scott|
|The Thing||John Carpenter|
|Ace in the Hole||Billy Wilder|
|The Verdict||Sydney Lumet|
|The French Connection||William Friedkin|
|The Godfather II||Francis Ford Coppola|
|A Clockwork Orange||Stanley Kubrick|
|Paths of Glory||Stanley Kubrick|
|Lawrence of Arabia||David Lean|
|Easy Rider||Dennis Hopper|
|8 1/2||Federico Fellini|
|La Dolce Vita||Federico Fellini|
|The Conversation||Francis Ford Coppola|
|Out of Africa||Sydney Pollack|
|Annie Hall||Woody Allen|
|Hannah and Her Sisters||Woody Allen|
|Deconstructing Harry||Woody Allen|
|Broadway Danny Rose||Woody Allen|
|Day for Night (La Nuit américaine)||Francois Truffaut|
|La règle du jeu||Jean Renoir|
|Crimes and Misdemeanours||Woody Allen|
|The French Connection II||William Friedkin|
|Thelma and Louise||Ridley Scott|
|American Graffiti||George Lucas|
|Atlantic City||Louis Malle|
|Das Boot||Wolfgang Petersen|
|Monsoon Wedding||Mira Nair|
|Gosford Park||Robert Altman|
|Wild Strawberries||Ingmar Bergman|
|Cries and Whispers||Ingmar Bergman|
|Autumn Sonata||Ingmar Bergman|
|The Truman Show||Peter Weir|
|Fanny and Alexander||Ingmar Bergman|
|War and Peace||Sergei Bondarchuk|
|Paris Texas||Wim Wenders|
|Schindler’s List||Steven Spielberg|
As a filmmaker and writer everything I saw and heard in Dark Waters was pitch perfect for me. Is this the point when an already very, very good filmmaker makes something so significant it and he cannot be ignored? On my one viewing I would say definitely yes. So, how did Todd Haynes, and the cast and crew, not receive any Oscar nominations? The answer to that is unfortunately in the film itself.
Mark Ruffalo is exceptional as the initially unsure advocate (should I, shouldn’t I take this case?) the reluctant hero turning crusading lawyer travelling deeper into the lies and cover up world of Du Pont’s immoral practices, as he takes them on in the courts. The journey is long and far from easy.
Based on the New York Times Magazine’s “The Lawyer Who Became DuPont’s Worst Nightmare” by Nathaniel Rich, the story is real, the deaths associated with teflon and the poisoned waters from chemical spill run-off are countable, coupled to another important fact—the film narrative is so well managed and un-histrionic in its style and delivery that it makes watching dramatic and very affecting.
The mantra told often to us by lecturers in JD units: ‘a lawyer reads, that’s what a lawyer does’ hit home as I watched the many boxes of incriminating documents and records being wheeled into Mark Ruffalo’s (Rob Bilott’s) law offices.
How was Bilott not removed from his firm? It’s to my relief and all our benefit that he kept his position and kept on fighting the actions. A roomful of long applause for all involved.
I recently saw Stanley Tucci’s 1964 Paris set Final Portrait, with Geoffrey Rush playing the lead, artist, painter Alberto Giacometti.
Not much happens in terms of the old story plot nexus but a lot goes on.
Verdict: Wonderful film, brilliantly observed. Great cast and script. Funny ironic tender sad cruel. Bring on more Stanley. 9/10
I’d give it ten out of ten but no films hit that high for me. Music, painting, literature, yes. Films, no. Too many departments, too many hands on deck for something not to go wrong somewhere.
I first saw Harvey W in person speaking in the Variety tent in Cannes at the festival in 2000, an interesting first in-the-flesh look at a man with a huge reputation.
I sat watching his technique in demolishing an Englishman in rumpled-linen who was questioning U.S. film business distribution techniques in Europe. Harvey countered with an argument that wasn’t all true – Warners ‘created’ post-war European cinema. (In Italy, and I believe in France, Warners, American distributors, had to, by law, leave their profits behind, and so diverted box-office takings into local product. i.e. the investment wasn’t a choice.
Some time later, I read Peter Biskind’s Down and Dirty Pictures, a superb read and study which told me all I needed really to know about Harvey’s ways of doing business.
Then came the revelations in hotel rooms and elsewhere – in summary making for a dark chapter to end his career on. As I watched Harvey pleading for understanding, I thought: is he ripe for redemption? My take was this – barring paying out his entire fortune to his victims and starting a centre for abused women, then manning the soup tables in the new Harvey Weinstein centre for homeless people, I couldn’t see him coming back in any form. My advice then: buy an island, gather-up lots of books, DVDs, coconuts, pineapples, slim down, live your life, because the one you had is over. Done. Finished.
But here’s the big but thing. It’s pretty well, jump on a bandwagon time against him, isn’t it. Even if the women are/were dead right to call him out – even without all the details we know in the deepest recesses of our consciousness that the accusations are as right as they are true – but the accusations also have a bandwagon organised feel to them.
Harvey had the temerity to take on the NRA, threatening them with a film with Meryl Streep in it. So, even if Harvey admitted his guilt and really is in a bad place morally, let him have his days in court. Let’s hear his side before we throw away the key. I know I know. I hear you. Harvey has a side? (He kills and eats his children, the man has a side? – from Deconstructing Harvey, soon for empty theatres near you)….
BUT – if Harvey truly is sorry, wants to prove how redemptional he is, be the genuine redemption chasing Harvey, even if he is under the influence of say of some native American mysticism, peyote, best Mexican grass ever grown, he needs to come up with a genuinely creative plan to make amends. Maybe there is a road back, but it needs to be a really good plan, a plan I’d like to put that omnipresent adjective in front of it for real, a GREAT plan.
- That says in toto:
I, Harvey Weinstein am going to be the greatest supporter of the vulnerable and victims on planet Hollywood and elsewhere, from here on in. I am going to pay for my sins and pay out to my victims, and from here on in, I am going to make only great films, life affirming comedies, Little Miss Sunshine kind of films, great themes, great actors, ensemble casts so lots of actors can get lots of work. I am going to help everyone I can get a chance on life’s creative ladder, because I am Harvey the great redeemed one.
A cartoon filled with fantasy in other words.
Still it could work. Stranger things have happened, right? Though he will need one helluva of a writer to make it stick.