“The Committee’s not an independent operation. Everything is cleared with the White House.”
“Let us fight to free the world to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all people’s happiness.”
As Brexit continues morphing out over the coming months, I think we should begin sharing experiences of what it has been like to live in and freely travel around Europe before our rights disappear. The ‘good’ the young of Britain in particular are about to lose.
Automatic right to be and travel inside Europe without a visa, attend universities, work without foreigner status conditions, to learn languages, share in the life as citizens of Europe with equal rights.
What the Europe Union does so well is not to look towards obvious economic stimulants as bridges to future social, cultural and economic activity, but to social and cultural stimulants, which when aggregated from individual life-changing experiences multiply in exponential societal ways, not only across Europe but across the world. Europe is a civil and cultural force unlike any other.
Here is an early pre-FOM personal European experience, before freedom of movement was instituted, but giving reason to why it is so good for societies and individuals.
The Odeon of Herodes Atticus. The ancient Odeon, built by Herod Atticus 161 AD, situated at the foot of the rock of the Acropolis with the Parthenon as a backdrop. The Odeon of Herodes Atticus written up by Vernon Kidd in the New York Times, describing a 1981 Athenian summer component in a plethora of Europe-wide festivals, The Athens Festival awaiting travellers… “plays of Euripides, Aeschylus, Sophocles, Aristophanes … presented by the National Theater of Greece, the Amphi-Theater, the Art Theater and Northern Greece State Theater. Tickets: from $1.20 to $6. July 5 to Sept. 25.” As Kidd’s NY times article detailed, Ancient Greek theatre in the ancient Odeon was only a small part of a Europe-wide extravaganza of arts festivals in the summer of 1981.
So, unaware of any of the above, one hot early July ’81 evening I wandered up the road from my Plaka hotel to the Acropolis, this young filmmaker then resident of Hong Kong. As darkness gathered, I sat myself on a wall to take in the dusk scene at a spot overlooking the lit-up Odeon of Herodes Atticus theatre. A rehearsal was going on way down below. Intrigued very quickly by what I saw, I hiked down the hill to find out what it was I was watching. A poster outside the Odeon announced the Athens Summer Festival’s showing of The Acharnians by Aristophanes. Had I see an Aristophanes play before? No.
I returned to my hotel and the next day bought a ticket for the play at a ticket outlet – (prices of the day ranging from $1.20 to $6). I found a Penguin translation of the play in a bookshop, read it, and no wiser I have to say set off a night later to see the performance.
The Acharnians was first performed in 426 BC. A strident anti-war play it is credited with being the oldest staged Greek comedy. I didn’t know what to expect because the Penguin translation did not make anything clear. Still, I had seen the rehearsal. That was enough. The play itself would do the rest.
The Odeon theatre is an extraordinary space, but on a hot July summer night it is other-worldly. The night air made translucent by light was alive with what looked like tiny floating tips of flowers, rising in the warm air all throughout the amphitheatre. In jeans, t-shirt, sandals surrounded by Greeks in evening dress I felt a rank outsider. Yet nobody cared.
What truly resonates with me most, nearly forty years later, is how an ancient play, interpreted, performed and directed as it was, was soon so relevant for a 1981 audience. Filled with dance, mime, mask, and music, George Kounis’ (or Kouns’) production lifted me off my seat. This was not a stilted play from Ancient Greece, a production I remembered too well from university productions. The Penguin translation was swept from my mind.
Dicæopolis, a native of Acharnæ and an ex-soldier returns disillusioned from the Persian wars, heartsick at the miseries and stupidities of the conflict. Not shy in making his views known, with earthy gestures he rails against fellow citizens, while a chorus of startled, indignant citizens in white masks, odd hats and fantastic bed square sewn quilt costumes, rush in dance formation from one side of the stage to the other, all to a cacophony of startling music and sound effects, remonstrating with him and each other. The audience was in stitches inside minutes. I didn’t understand a word yet understood everything.
As a writer it is hard to communicate the effect this experience has had on me: the hot July night, the western world’s most ancient comedy, the mime, dance, costume, design and performances, Greeks all around me ‘rolling in aisles’, the old director helped on stage after the performance – I felt as if theatre itself, not only the ancient Greek concept of ‘spectacle,’ had finally been made clear to me.
photograph by and courtesy of Berthold Werner 2017
Is this the future face of home-building in Australia?
Do we build homes with exteriors and window glass that can resist up to two thousand degrees celsius? Homes with internal energy reserves, water and food storage recycling and creation systems.
While Australian Liberal National Party politicians decide whether or not to add the words “wind” and “solar” and “hydrogen” and “wave” to their vocabularies, decide whether to expand their comprehension of the word “energy” to include the current ‘impossible’ — the consignment of coal to the graveyard — the exterior of a house could be sealed against extreme weather patterns. All substances even wood can be used inside. Is this too radical for you? What do we do over the continuing fires?
If we could force the political climate change deniers to take early parliamentary retirement, then as a society join with each other in to turning global warming around we might still be in time to stop the human project’s slide to the bottom, stop the immorality of condemning other life forms sharing this planet with us to an unnatural slide in to oblivion.
..handheld shaky cam, found footage, ultra-violence, meta-storylines, etc., all becoming part of the broad pop cultural landscape and assimilated into the commercial marketplace. This translates across all cultural lines – music, art, technology, etc. as the outsiders and untouchables of yesteryear are today’s TV spokesmen and tastemakers..
…experimental film seems to represent more fully the true potential and magic of cinema
…for brief moments in history, think the ‘beats’, the real ground-shakers, the true risk-takers, manage to do something that is life and culture affecting, their minds drafting the future…
Join with us in a People’s Justice Publication
Send us your photos accompanied by your own description – EEP will initially make a digital publication and if there is demand do one in print – ALL proceeds to a charity of our collective contributing creative choice.
This initiative is not for profit, this is for Justice.. We are sure you will have many to show us that are extraordinary…
…All rights to photos reserved to creators..
‘The Seat of Human Justice’
See the documentary Inside Job – a forensically researched, superbly delivered film about the 2008/2009 financial collapse – to see what the Euro leaders really have to deal with, the rating agencies delivering them an ultimatum.
Why haven’t we had a detailed analysis as we see in Inside Job presented to us by big media?
Some empirical facts to ponder: “The financial services industry’s share of profits increased from 10% in the 1980s to 40% in 2007, and the value of its shares (in the overall) went from 6% to 23%, while the industry only accounts for 5% of private sector employment.” Household debt in the U.S. grew from 3% of disposable income in 1998 to 130% in 2008. Prime mortgage delinquency as a percentage of loans increased from 2.5% in 1998 to 118% in 2008 – Manuel Castells.
Initially this post was about Facebook dismantling its groups. The issue then: Many people spent an enormous amount of time developing them and asking people to join. Because of widespread concern and protest by Facebook members FB resolved this and groups could keep their members. At the time I wrote: “Facebook is fast acting like a corporation acting in concert with other corporate or shady political interests – not a borrowed idea from a dorm at Harvard existing only because a lot of people use it. If Facebook is about anything it is about each and every one of its members – Facebook is nothing without the people who bother to use its pages.”
Facebookers should be informed of what this new FB policy is and what it means and then they should be asked whether they agree to the use of data that was once ‘private’ between FB members.
Facebook should reflect the members that make it up. Facebookers are not a resource to be exploited for profit in this way by Facebook’s founders (this was not the original ‘pitch’ or purpose of Facebook). If use of private data does happen, at the very least it should be only with prior full agreement of Facebook users.
If Facebook wants to charge for the service then they can and people can opt out of the FB site if they so wish – taking their data with them, not leaving it behind for commercial use.
If I buy a house I get the house and grounds, not the furniture and fittings inside and outside, unless it is in the contract of sale. Facebook do not own the data, (though I am sure their lawyers would say they do). They have already profited hugely from having such a huge number of users, but they don’t own Facebookers or their private and personal data.